In 1994, Chinese artist Liu Zheng conceived of an ambitious photographic project called The Chinese, which occupied him for seven years and carried him throughout China. Inspired by the examples of August Sander and Diane Arbus, he has captured a people and country in a unique time of great flux, providing a startling vision of the deep-rooted historical forces and cultural att...(展开全部)

In The Poet Zheng Zhen (1806-1864) and the Rise of Chinese Modernity, J. D. Schmidt provides the first detailed study in a Western language of one of China's greatest poets and explores the nineteenth-century background to Chinese modernity, challenging the widely held view that this is largely of Western origin. The volume contains a study of Zheng's life and times, an examina...(展开全部)

Digital artist Zheng Wei Gu (AKA Guweiz) shares his anime-inspired world in this beautifully produced and insightful book, leading you through his fantasy world with a portfolio packed with gritty detail and a surreal vibe. Guweiz began drawing when he was 17, inspired by an anime art tutorial on YouTube. Discovering a natural talent, he carried on drawing and quickly amassed a...(展开全部)

Edited and annotated by Ying Liu, University of Victoria, Zhongping Chen, University of Victoria, Gregory Blue, University of Victoria Zheng He’s Maritime Voyages (1405-1433) and China’s Relations with the Indian Ocean World: A Multilingual Bibliography provides a multidisciplinary guide to publications on this great navigator’s activities and their impact on Chinese and world ...(展开全部)

The new edition of a comprehensive overview of the modern Chinese economy, revised to reflect the end of the “miracle growth” period.This comprehensive overview of the modern Chinese economy by a noted expert on China's economic development offers a quality and breadth of coverage not found in any other English-language text. In The Chinese Economy, Barry Naughton provides both...(展开全部)

姜士彬（David Johnson），加州大学伯克利分校中国研究中心教授，早年专注中古中国士族研究，近年关注明清大众文化研究。

This ground breaking study dispels the common belief that Chinese 'doesn't have words' but instead 'has characters'. Jerome Packard's book provides a comprehensive discussion of the linguistic and cognitive nature of Chinese words. It shows that Chinese, far from being 'morphologically impoverished', has a different morphological system because it selects different 'settings' o...(展开全部)

China was the largest and one of the most advanced economies in the world before the eighteenth century, yet declined precipitately thereafter and degenerated into one of the world's poorest economies by the late nineteenth century. Despite generations' efforts for national rejuvenation, China did not reverse its fate until it introduced market-oriented reforms in 1979. Since t...(展开全部)